The Five Satins

The Five Satins

The Five Satins are best-known for the doo-wop classic "In the Still of the Night," a song that was popular enough to make the group one of the most famous doo-wop outfits, although they never had another hit of the same magnitude.

The origins of the Five Satins lie in the Scarlets, a New Haven, Connecticut doo-wop group led by Fred Parris. The Scarlets formed in 1953, while Parris was still in high school. The group had a local hit with "Dear One" the following year. In 1954, Parris formed the Five Satins with vocalists Al Denby, Ed Martin and Jim Freeman. Within the next year, Parris had the group record "In the Still of the Night," a song he had recently written, in the basement of a local church. The first single the group released was "In the Still of the Night." The single was released on Standard Records in the spring of 1956. By the end of the year, it had been leased to Ember and it became a huge hit, peaking at number three on the R&B charts and number 25 on the pop charts.

By the time "In the Still of the Night" scaled the charts, Parris had been drafted into the army. He was stationed in Japan when the song became a hit and he was still stationed in Japan when the group recorded the followup single, "To the Aisle." For that single, Bill Baker handled the lead vocals. "To the Aisle" became a Top Ten R&B hit (number 25 pop) in the summer of 1957. Parris returned from the army in 1958. Upon his return, he re-organized the group, adding Richie Freeman, Sylvester Hopkins, West Forbes, and Lou Peeples. This incarnation of the group had a minor hit in the fall of 1959 with "Shadows."

In 1960, "In the Still of the Night" re-entered the pop charts thanks to its exposure on Art Laboe's first Oldies But Goodies compilation. The repeated success of the single sparked a another minor hit for the band in 1960 -- the group's cover of the standard "I'll Be Seeing You" scraped the bottom of the pop charts in the summer of that year. Early in 1961, "In the Still of the Night" entered the pop charts again. During the remainder of the '60s, Parris led various incarnations of the Five Satins through oldies revues in America and Europe; they also recorded occasionally during this time. In 1970, the group appeared in the film, Been Down So Long It Looks Like Up to Me; three years later, they appeared in Let the Good Times Roll.

In the early '70s, the Five Satins continued to play the oldies circuit under the direction of Fred Parris. In 1974, the group signed a contract with Kirsner Records and reelased a single, "Two Different Worlds." Two years later, they briefly changed their name to Black Satin and released a single called "Everybody Stand Up and Clap Your Hands (For the Entertainer)," which became a Top 50 R&B hit. Shortly afterward, the group reverted to the Five Satins name.

In 1982, the Five Satins had their last hit with a doo-wop medley entitled "Memories of Days Gone By." The single, which was released on Elektra Records, peaked at number 71 on the pop charts. For the remainder of the '80s and the '90s, Fred Parris led various lineups of the Five Satins and the group performed regularly at oldies shows in America and Europe. ~ Stephen Thomas Erlewine, All-Music Guide

Title Album Genre Tools
Love With No Love In Return Ember: Golden Era Of Doo-Wops, Part One R&B/Soul, Vocal
Client:
Era:
1950s
Genres:
R&B/Soul and Vocal
Instruments:
Bass, Brass, Drums, Guitar, and Piano
Keywords:
Dark, Driving, Feel-Good, Moody, Romantic, and Sentimental
Scene Descriptions:
End Title/Credits, Goodbye, Heartbreak, In Love, Rainy Day, and Road Trip
Subgenres:
Doo Wop
Tempo:
Medium Slow
Vocal Types:
male
CD/Track #:
Ember: Golden Era Of Doo-Wops, Part One , #5
Release Year:
1956
Track ID:
53035
main mix 1:00 160k MP3
Our Anniversary Ember: Golden Era Of Doo-Wops, Part One R&B/Soul, Vocal
Client:
Era:
1950s
Genres:
R&B/Soul and Vocal
Instruments:
Bass, Brass, Drums, Guitar, and Piano
Keywords:
Atmospheric, Bright, Campy, Feel-Good, Romantic, and Sentimental
Scene Descriptions:
Ballroom Dance, End Title/Credits, Film Trailer, In Love, Make-Out, Make-Up, Morning After, and Wedding
Subgenres:
Doo Wop
Tempo:
Moderate
Vocal Types:
male
CD/Track #:
Ember: Golden Era Of Doo-Wops, Part One , #22
Release Year:
1957
Track ID:
53036
main mix 1:00 160k MP3
Tell Me Dear Golden Era of Doo Wops: Ember Records Volume 2 R&B/Soul
Client:
Era:
1960s
Genres:
R&B/Soul
Instruments:
Brass, Drums, Electric Guitar, Guitar, Horns, Keyboard, Percussion, Saxophone, and Trombone
Keywords:
Atmospheric, Bright, Feel-Good, Funky/Groove, and Romantic
Scene Descriptions:
Ballroom Dance, End Title/Credits, In Love, Sunny Day, and Wedding
Subgenres:
Doo Wop
Tempo:
Moderate
Vocal Types:
male
CD/Track #:
Golden Era of Doo Wops: Ember Records Volume 2, #8
Release Year:
1960
Track ID:
53049
main mix 1:00 160k MP3
Wishing Ring Golden Era of Doo Wops: Ember Records Volume 2 R&B/Soul
Client:
Era:
1960s
Genres:
R&B/Soul
Instruments:
Drums, Electric Guitar, Guitar, Horns, and Piano
Keywords:
Bright, Dramatic, Feel-Good, Funky/Groove, Romantic, and Sentimental
Scene Descriptions:
End Title/Credits, In Love, Sunny Day, and Wedding
Subgenres:
Doo Wop
Tempo:
Moderate
Vocal Types:
male
CD/Track #:
Golden Era of Doo Wops: Ember Records Volume 2, #19
Release Year:
1960
Track ID:
53060
main mix 1:00 160k MP3
Pretty Baby In The Still Of The Night R&B/Soul, Vocal
Client:
Era:
1950s
Genres:
R&B/Soul and Vocal
Instruments:
Bass, Brass, Drums, Electric Guitar, Guitar, and Piano
Keywords:
Atmospheric, Bright, Feel-Good, Moody, Romantic, and Sentimental
Scene Descriptions:
Goodbye, Heartbreak, In Love, Make-Out, Morning After, Road Trip, Sunny Day, and Wedding
Subgenres:
Doo Wop
Tempo:
Medium Fast
Vocal Types:
male
CD/Track #:
In The Still Of The Night, #11
Release Year:
1959
Track ID:
53085
main mix 1:00 160k MP3
You Must Be An Angel In The Still Of The Night R&B/Soul, Vocal
Client:
Era:
1950s
Genres:
R&B/Soul and Vocal
Instruments:
Bass, Brass, Drums, Electric Guitar, Guitar, and Piano
Keywords:
Atmospheric, Bright, Campy, Feel-Good, Romantic, and Sentimental
Scene Descriptions:
End Title/Credits, Film Trailer, In Love, Make-Out, Morning After, Sunny Day, and Wedding
Subgenres:
Doo Wop
Tempo:
Medium Fast
Vocal Types:
male
CD/Track #:
In The Still Of The Night, #16
Release Year:
1959
Track ID:
53086
main mix 1:00 160k MP3
Wish I Had My Baby Wish I Had My Baby R&B/Soul
Client:
Era:
1950s
Genres:
R&B/Soul
CD/Track #:
Wish I Had My Baby
Release Year:
1957
Track ID:
67541
main mix 1:00 160k MP3
Take Me Back